Tag: Italian Plaster

16,000 square feet of Classic Venetian plaster was used to turn the walls at “The Grandview Business Center” Located in Morgan Crossing South Surrey, BC into a major conversation piece.  Its not often you get approached to do a full interior Italian Lime plaster in a Commercial setting.  Why you ask would you want to choose a venetian plaster finish for a commercial space?

Why Lime Plaster
-Lime Plaster  has vertually no VOC’s making a pleasant enviroment to work in and be around

-Stronger than drywall and paint finishes Venetian plaster will hide scuffs marks and abrasions

-Endless possibilities of texture and sheen

-Most damage is easily repaired

-Seamless finish from start to finish only stopping in corners.

Here are some photos of this recent full interior Venetian Lime Plaster

Well, we’re already three weeks into our massive Italian lime plaster commercial project in South Surrey, BC.

As you can imagine, a lot of work is going on around us on the project every day, so while we’re trying to keep productivity at a maximum, we also have to keep trade damage to our work at a minimum.

This week, focus has been on the main floor’s lobby, the corridors, ceilings, and that awesome barrel ceiling covered in Venetian plaster.

It’s a big challenge, a ceiling like that, but to know me is to know I love my job.

Everyone around me knows how much I dig the challenges and the change that come from project to project. My passion for what I do and for getting my clients what they want is what makes my work so successful.

This one’s got even more challenges, and people to satisfy, than anything I’ve done because it’s the largest project I’ve ever worked on, and I hope it proves I belong on both the artisan and big commercial side of plastering.

This barrel ceiling’s a huge focal point, so I took extra care and due diligence, as it’s a heavy use area and we want it looking as fantastic years from now as it does opening day.

To get there, I started off by applying a two-coat Intonachino Lime plaster finish, and closed it up with a buffed super-smooth finish.

When you’re talking a “true” Venetian plaster, it’s actually a very thin finish. It can be somewhat delicate, and that’s something to consider on a project like this versus, say, a large home for a family of four. Given the massive building size, and the likelihood of foundation settling over coming months or years, I wanted a thicker plaster, just in case the building shifts any or nails decide to move any, and that extra coverage (and more work) should ensure longevity.

Craziness, I know, but it’s better safe than sorry, and it’s easier to do the job thoroughly the first time than to fix any problems a year or five years down the line.

Make sure your craftsmen don’t just think about how your job looks the day you have to sign the last check. You want them thinking about how that space will work for you over the coming years. Have that conversation with them, if you’re not sure they’re thinking in those terms — because they should be.

Look at this colour depth! This is what happens when I really push the envelope on the “maximum tint allowance” per bucket. Pay-off!

“Wax-on, wax-off.” Laying down the layers, pic by pic:




The end result? A stunning shiny show-stopper.

In this instance, it’s really a labour of love. It’s nine steps from start to finish — a lot of prepping, buffing, and grunt-work. There’s no easy way out on this one, it’s all about pushing through the burn thats the true nature of real venetian plaster.

At the end, all you see is how great it looks, and that’s okay with me.

Cheers,
Darrell Morrison.

Lime plaster has been my choice of material for almost a decade now. Recently someone told me it takes 10,000 hours to become proficient at any trade whether it be carpentry, framing or even a stone mason, the time spent honing that skill will one day make you a tradesman (or tradeswoman).

Over the summer I have been fortunate to work on a project in an Old World Italian Design Tuscan Villa. Breaking into my crate of techniques from WoodGrainingGoldLeafingVenetian Plastering, Lime Painting and Stencilling.   I have been challenged in ways that excite my mind and creativity, opening a new chapter in my life and the world I love to call Italian Plastering.

Here are some photos from this recent journey, the project is still in progress.

WoodGraining base coat

WoodGraining complete

Fibre Crown is a foam moulding used to simulate stone and in most situations is painted with acrylic paints.

Here is a close up of the foam moulding

Lime Painted Fibre Crown Moulding To Simulate The Look Of LimeStone

Fibre crown molding Lime stone 2 before & After

Tadelakt being used as a distressed old-world finish is not the norm for this material. While my supplier were out of stock I was forced to use this amazing material on a Tuscan Villa in the depths of Langley, Britsih Columbia.

What a treat it has been to learn the advantages of this amazing material and also a client and builder giving me full expresion of my work and creativity.

This is the 1st home I have Venetian Plastered that has 5 Juilet ballconies in the main hall, with one of the most amazing fireplaces I have ever seen. (That to come in the next post)

Here are some pictures from the start of the project

Powder Room Plaster finish

The house is still under major construction and I will share more as I find more time, bare with me the end of the summer is a real busy one.

Thanks for stopping by

Cheers
Darrell Morrison

If you know me, you know I’m a busy guy. It’s work, work, work, these days, and when it’s not about work, it’s about time with my wife, my girl, and the pups.

Needless to say, like most of us, I seldom get to do the projects around the home that I dream of doing.

That all changed in the last month, because not only did I finally get to do a bit of home reno that my family gets to enjoy, but I also got to try something I’ve wanted to do for a really long time — a heavy-duty Italian venetian plaster treatment to a bathroom shower stall.

This work was done in our main-floor bathroom, which had been wanting TLC for a while.

Doing any project for the first time, especially when it’s a bathroom, can make it hard to estimate all the work involved, so getting a chance to explore the process on my own time was great.

It was a major project by the time I finished, as you can tell by the end results, but what did it take to get there?

Here’s how the Home Shower Venetian Plaster Project evolved, start to finish.

This ’70s bathroom came with tons of cedar, which all had to come down. Luckily, it was installed by someone who didn’t make much effort to do it right, so only a couple nails in each board ensured they popped right off. Removing the shoddy work made investing time in improving the room that much more satisfying.

The first thing I wanted to do was move the shower-head up by about two feet. No one wants to crouch for a shower.

Before now, I never had the need, or an opportunity, to work with copper. I decided I’d take a kick at the copper can instead of calling a plumber, and working with the pipes was easier than I expected. I might do the odd fix-it job here and there now, but I’d certainly never do my whole place.

Next, I installed plywood. I’m sure some of you building guys out there are wondering “why not concrete board instead of plywood?”

It’s a preference, really. I find plywood’s just easier to work with, and it comes in big old 4×8-foot sheets, making for less cutting in some situations, but, most importantly, I find plywood’s a big help when it comes to installing lath. (Shown later.)

Next up was installing the water-proof membrane. Obviously a quality project is needed for a shower, and I used a local company’s product, called, “SuperSeal” you can learn more about it here.

Continue Reading..

The trip home from Banff, Alberta, was an amazing seasonal drive. As I dropped from the Rocky Mountain highs to the Okanagan, then sea level, I saw things go from end-of-winter to lush and green, full of spring life.

I greatly enjoyed experiencing all four “seasons” this year, thanks to my cold-season work in the mountains and Alberta. It was mostly rain and a really mild winter in Vancouver, not one of our best years, but also not that unusual. It was a good time for a wintery change of scenery, but it’s nice (if a little soggy) to be home.

I’m getting back to making the rounds and taking on local projects. This past week, my team worked on two Valley projects — one in Maple Ridge and the other in Langley. The lengthy drives between home and the two projects took some adjusting, but it’s a great place to drive.

We just finished work on this smaller “feature” barrel ceiling’s plaster treatment. It’s one of those little jobs that starts and finishes quickly.

Italian Venetian plaster like this is where I began working in this trade, and those days kicked off what I hope will be a long and great career. It’s a real treat to work where I got my roots.

Smaller projects like this are always fun, too. Seeing the end result more quickly is a great pay-off compared to the visual impact but long work stint that doing a huge project comes with. I enjoy having a mix of both kinds of jobs.

Decorative Paint & Plaster is back in town and we’re booking clients for the next two years. How can we help you?

When you’re a guy working in the building trades, it’s not very often you get to travel for work, let alone work in a place like Banff, Alberta. This fantastic retreat in the mountains has been a dream-like project for me, and I’m happy to share with you this video of a walk-through of how the project’s coming.

As the build got further along, more plaster work got added to my slate. I love an owner getting excited about my technique and wanting more as the work progresses, especially in a place like this. By the end, Stucco Italiano’s Italian plaster was used throughout, stretching from the bottom up to the third floor.

 

Please set your viewing to high-def for all the detail!

Take a look at the waxed deep magenta plaster walls in the powder rooms, which includes that awesome entry feature and incorporates those subtle smooth textures across the walls and ceilings, on all floors.

Why would you want to use Italian plaster over both walls and ceilings? You have to consider the characteristics. No paint will match the beauty or durability over the long-term like Italian lime or Venetian plaster, and when you’re creating a mood in a room, why would you neglect the ceiling?

When the colour is fortified right off the bat, as I hand-mix plasters for application, including base coats, it gives a rich layered finish that doesn’t look man-made — it looks like it just belongs that way. It’s natural, rustic, and amazing for creating a mood in big and small spaces.

Lime plaster builds an atmosphere you just can’t get with only paint, and I’m a painter saying that.

When you’re talking about any kind of art or space, lighting means everything, and it’s definitely true with Intonachino plaster approaches I use in my Venetian/Italian lime finishes. As light moves across the room, during dusk through to dawn, and the light shifts from season to season, it changes the way the plastered surface appears, and you’ll always notice something different. It’s almost like your walls are a living part of your space.

This video will provide a perspective on the feel created with these finishes, but if the same video was shot at different times of day, you’d get more a sense of why I say that lightning — natural or electrical — is plaster’s best friend.

It’s been a while since this amazing journey began. Have a look at how far we’ve come, and how this plaster came to life. Click here to see the beginning blog posts.

Here, have a look at South Surrey’s Grandview Business Centre, which you’ll find nestled behind Winners in the Grandview Corners Mall.

Starting any day now, we’ll be installing natural lime plaster throughout this high-end office building’s common areas, including the bathrooms.

Landing this project was a super-proud moment for me, because it’s my largest commercial project yet, and it’s yet another client who cares about craft quality, so it’s exciting to be a part of this.

Besides that, though, it’s really close to home, and I know I’ll be able to take my daughter there and show her that this is what Daddy does, because it’s a public space.

I’ll be blogging about the experience here, so please follow along as we transform this space from floor-to-floor, trowels in hand, as we take ordinary drywall and finish it into a seamless polished lime stone plaster.

Here’s proof Vancouver-and-area isn’t just a rainforest, we get snow too. This is the project under a fresh short-lived blanket of it a few weeks ago.

 

I love watching projects come together, and living so close to this build site let me catch glimpses throughout the early stages.

Here’s a shot of the braces holding up recently-erected concrete panels. Obviously this isn’t your average construction site.

The job required lifting massive tilt-up pre-made panels into place, including one panel 31-feet wide, 58.7-feet high, and a whopping one-foot thick, weighing a jaw-dropping 186,000 lbs.

When I get something wrong on a job, I might have a shade off in colour tinting, or a pit where there shouldn’t be (and, naturally, it gets fixed pretty easily). Could you imagine when guys like the panel-tilters get their jobs wrong? Man, I’m glad I’m a painter.

In an article published October 19th, 2010, by the Peace Arch News, Hannah Sutherland reported there were 26 panels to “tilt up” in this unusual construction project, averaging at 140,000 pounds per panel.

In speaking about the construction method, its “Tilt-Up” assembly, Project Manager and owner of Double-V Construction Shane Van Vliet told Sutherland, “This type of construction is typical, but the fact this is four storeys is very unusual. Four storeys gets to be a little trickier… and more engineering is required.”

A video of the assemby process can be viewed here on the BC Daily Buzz.

Now here’s what the building looked like just recently.

If you’re interested in purchasing space in this soon-to-be-awesome building, learn more about the Grandiew Business Centre on their sales site: http://www.grandviewoffice.com.


Guess what I’ve always dreamed of scratching off my bucket-list? Plastering a high-end commercial building.

Soon, I’ll be scratching it off! (Or I can change the bucket list to “super-big high-end commercial building,” maybe. Then, after that, add “downtown”.)

Starting April, 2011, I’ll be starting an amazing adventure with my team as we begin a massive lime plastering project in the Grandview Business Centre in South Surrey, BC.

It’s a great building, an important part of the new “Morgan Crossing” district, which is an area that has just exploded over the last two years.

The mall, The Shops At Morgan Crossing, has great businesses like the Steve Nash Sports Club and a favourite of mine, because we all love a good wine: the “Everything Wine Store”.

Located so close to the mall, the Business Centre’s a great location for professionals looking to be accessible and convenient for clients.

All right, let’s talk project details.

The Builder Double V Construction will be creating the blank canvas for this amazing project.

We’ll be putting lime plaster in all the common spaces (including lobbies, corridors, and washrooms) on the Morgan Crossing Business Centre’s 1st, 3rd, and 4th floors.

We’ve chosen the palette already.

The corridors will be a slightly polished sandy/cream-coloured lime plaster with subtle pitting and black flecks.

Washrooms will be treated with a cement-based plaster that incorporates subtle pitting, almost like a honed travertine, but seamless and free of any joints.

The lobby ceiling will have a shiny finish that resembles the look of polished marble.

I can’t wait to see so much of my work in one place. A lot of what I work on is in private homes, but this will be a project that I can “visit” for years to come — and close to home, too.

Stay tuned while I prepare for this awesome undertaking, because I plan to share the journey with you by blogging the process in words and video while things come to life.

Cheers,

Darrell Morrison

I remember my parents telling me their stories about how hard life was “back in the day,” when they’d have to slog through heavy snow, up snowy hills, all while braving the freezing weather. Now that I’m working in Banff, I can finally tell my daughter the same kinds of stories.

Except that my stories will involve my struggles this week — hauling some 2,650 pounds of Italian lime plaster up a snowy, icy hill, down some stairs to the lower level’s entrance, and all in chilly -14 degrees Celsius weather.

Yep, just another wintery day’s work in Banff, Alberta.

Laying down the base coat

There’s a reason they call short people “vertically challenged,” and my work in Venetian plaster and the constant need to do ceiling treatments means I’m proof of the “challenged” part.

Ladder, please!

I often need a little extra height, and that perfect height still means a world of work but a lot less pain!


Living and working in one of the mildest climates in Canada means I’ve never experienced the difficulties of building in high-altitude severe winter climate like that found here in Banff.

I’m enjoying seeing how different practices are needed for success here, and I’m super-impressed with how the builder deals with nature’s wrath, tenting exterior areas so the work on the home’s landscaping can continue throughout the season.


This is the exciting part, for me! Just last week, the main floor had barely any drywall hung. That was then and this is now! The build team has really pulled together, everyone’s always on the move, and they’re working as a team to get ‘er done. There’s a lot of good nature on the build site, with everyone being very friendly and communicating clearly, all things that are very important to me in a work environment.

It feels wrong to post without sharing another photo of the area. Here’s the town as we head to our lodgings after a day at the job site.

Banff is such a lovely place. I have so much more of it to experience while I’m here, and that’s really exciting. It’s not just a mountain town, it’s a winter wonderland, and it’s feeling like an epic journey’s just getting started. Thanks for following the experience!

Cheers,

Darrell Morrison

This Week’s Banff Trivia:

 

Geologists report that the Rocky Mountains that make up Banff National Park are 45 to 120 million years old. In just the national park alone, one can find more than 1,000 glaciers — but only if they wear really, really rugged hiking boots!


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