Tag: Hand trowled plaster


Guess what I’ve always dreamed of scratching off my bucket-list? Plastering a high-end commercial building.

Soon, I’ll be scratching it off! (Or I can change the bucket list to “super-big high-end commercial building,” maybe. Then, after that, add “downtown”.)

Starting April, 2011, I’ll be starting an amazing adventure with my team as we begin a massive lime plastering project in the Grandview Business Centre in South Surrey, BC.

It’s a great building, an important part of the new “Morgan Crossing” district, which is an area that has just exploded over the last two years.

The mall, The Shops At Morgan Crossing, has great businesses like the Steve Nash Sports Club and a favourite of mine, because we all love a good wine: the “Everything Wine Store”.

Located so close to the mall, the Business Centre’s a great location for professionals looking to be accessible and convenient for clients.

All right, let’s talk project details.

The Builder Double V Construction will be creating the blank canvas for this amazing project.

We’ll be putting lime plaster in all the common spaces (including lobbies, corridors, and washrooms) on the Morgan Crossing Business Centre’s 1st, 3rd, and 4th floors.

We’ve chosen the palette already.

The corridors will be a slightly polished sandy/cream-coloured lime plaster with subtle pitting and black flecks.

Washrooms will be treated with a cement-based plaster that incorporates subtle pitting, almost like a honed travertine, but seamless and free of any joints.

The lobby ceiling will have a shiny finish that resembles the look of polished marble.

I can’t wait to see so much of my work in one place. A lot of what I work on is in private homes, but this will be a project that I can “visit” for years to come — and close to home, too.

Stay tuned while I prepare for this awesome undertaking, because I plan to share the journey with you by blogging the process in words and video while things come to life.

Cheers,

Darrell Morrison

I remember my parents telling me their stories about how hard life was “back in the day,” when they’d have to slog through heavy snow, up snowy hills, all while braving the freezing weather. Now that I’m working in Banff, I can finally tell my daughter the same kinds of stories.

Except that my stories will involve my struggles this week — hauling some 2,650 pounds of Italian lime plaster up a snowy, icy hill, down some stairs to the lower level’s entrance, and all in chilly -14 degrees Celsius weather.

Yep, just another wintery day’s work in Banff, Alberta.

Laying down the base coat

There’s a reason they call short people “vertically challenged,” and my work in Venetian plaster and the constant need to do ceiling treatments means I’m proof of the “challenged” part.

Ladder, please!

I often need a little extra height, and that perfect height still means a world of work but a lot less pain!


Living and working in one of the mildest climates in Canada means I’ve never experienced the difficulties of building in high-altitude severe winter climate like that found here in Banff.

I’m enjoying seeing how different practices are needed for success here, and I’m super-impressed with how the builder deals with nature’s wrath, tenting exterior areas so the work on the home’s landscaping can continue throughout the season.


This is the exciting part, for me! Just last week, the main floor had barely any drywall hung. That was then and this is now! The build team has really pulled together, everyone’s always on the move, and they’re working as a team to get ‘er done. There’s a lot of good nature on the build site, with everyone being very friendly and communicating clearly, all things that are very important to me in a work environment.

It feels wrong to post without sharing another photo of the area. Here’s the town as we head to our lodgings after a day at the job site.

Banff is such a lovely place. I have so much more of it to experience while I’m here, and that’s really exciting. It’s not just a mountain town, it’s a winter wonderland, and it’s feeling like an epic journey’s just getting started. Thanks for following the experience!

Cheers,

Darrell Morrison

This Week’s Banff Trivia:

 

Geologists report that the Rocky Mountains that make up Banff National Park are 45 to 120 million years old. In just the national park alone, one can find more than 1,000 glaciers — but only if they wear really, really rugged hiking boots!

Early last Monday afternoon, I drove past a sign reading “Welcome to Banff, Alberta.”

Over the next three months, I’ll be working on an amazing, extremely customized home that backs onto Banff’s beautiful Bow River.

Along with everything else that blows me away about this house is the fact that I think it has the most stunning millwork I’ve ever encountered anywhere. Entering this amazing home felt like I’d just walked into some mind-blowing 5-star hotel in, well… Banff.

To add to the dramatic millwork and scenic setting, I’ll be using rich, deep earth-tone colours that complement the amazing nature all around us here in these legendary mountains. The plaster will be a 4-coat slightly-pitted Intonachino lime plaster finish.

The Canadian Rockies, where Banff is found, is known for its stone, exposed rockface, forests, and generally rugged terrain. I think this Italian lime plaster will really rock the Rockies, and it’ll be a commanding, dramatic feature in this impressive home as it stretches throughout the place, on all three levels.

I know this mountain town will be an amazing and inspiring place to work during the winter months. Come spring, if the owner converts the place into a “mountain stronghold,” it’ll be a beautiful place to hole up and easily forget about the rest of the world.

 

Banff is the highest town in Canada, sitting at an elevation of more than 4,500 feet (about 1,380 metres), nestled in the heart of the Canadian Rockies. It was declared Canada’s first national park in 1885, and today is a UNESCO World Heritage Site, with a protected area of more than 7,700 square miles.

The Bow River, which this home backs onto, originates from the Bow Glacier and Bow Lake. It flows for 587 kilometres, joins with the Oldman River to become the larger South Saskatchewan River, and eventually spills into Canada’s famous Hudson’s Bay, halfway across the country.

Now you’ll see I don’t exaggerate. I said this Tadelakt fireplace was massive? It was HUGE!

Stretching 16 feet across and with a towering peak of 11 feet, you can see why such a dominant feature made nailing the perfect colour the most important step in planning. But, hey, it’s always about “the perfect colour”.

Remember, I’ll always be happy to mix tints as often as it’s needed to make sure it’s a colour you’ll love living with well into the future.

Back to the massive fireplace: When you take a built-in entertainment centre/room feature and want to turn it into something bold and grand, while still adding value to your home, natural lime-based Venetian plaster is definitely the way to go. Remember that, it’s not just a cosmetic change — it’s adding value with beauty.

But, here, take a look for yourself.

“After”:

“Before”:

Here’s the soon-to-be Tadelakt fireplace. Mean, green… and wow! Could be a show-stopper if it’s finished right… but that’s why they hired me, because my company only does it “right”.

Our first step was building up the mantle for added size and drama, by using a 16-foot piece of 2×6 and some crown moulding. Et voila! There’s some beautiful architectural detail.

After finished beefing-up the mantle and the build was done, it was
time to figure out the posts for the bulk of the Tadelakt fireplace
application. This transformation really took it to the next level of
super-cool, don’t you think?

Look closely. Do you see both the bulk and pure “flow” those legs added? We felt it gave exactly the character needed to make this fireplace a feature to envy in an already-upscale neighbourhood.

Next came the real treat — doing the actual Tadelakt lime-plaster application. That’s when I get to feel like we’re putting icing on a cake. This, though, was a tricky cake.

You know me, I love a challenge. Personally, this profile was like nothing I had ever Venetian-plastered before. The detail, curves, and
difficulty reminded me of a lonely country road on a winter’s morning — a great pleasure to be on, but taking it slowly and carefully would
be essential, while knowing that patience would be rewarded with beauty.

Do you see how I used an orange mesh for tying the pieces together? This step is a massive pain, and really not a fun part of the project, but when it comes to a curved profile and the added degree of artistic difficulty that comes with it, that grief is worth the effort just for the extra years of architectural integrity it gives the project. It’s like your mom always told you, “Anything worth doing is worth doing right.” That’s how I operate, too.



Now the project is complete and the space has taken on a whole new look. It’s no longer a built-in piece of drywall, but a long-lasting element for the room, and a focus of the home that can be built upon for years. This fireplace will surely remain a strong selling point for as long as the home stands, because we built it to last.

I’m glad you popped in for a look at my recent work. Thanks for reading!

Cheers,
Darrell.

Here’s a teaser video of my current project — some of the Venetian plaster we’ve completed so far in this home, using distressed red & orange Intonachino, with a raw umber glaze that I finished off with a highly-polished wax.

This clip shows you some of the fine details featured in my Venetian plaster style. In this architectural space, it was all about “Tuscan”.
To get that classic feel, we used Stucco Italiano, Intonachino, and Tadelakt. We’re industry specialists in these authentic lime plaster finishes, and I feel this video shows you exactly why. Enjoy!

Since early June, I’ve been working on this large full-interior lime plaster project. By “large,” I mean a whopping 10,000 square feet.

For me, I find it really amazing to see all the progress as I watch the Venetian plaster come together, and I thought I’d share some photos of the process so far, since I think you’ll like it.

This really is a massive project and something like this needs a lot of careful work even before it begins. With 10,000 square feet to dress up, it took a lot of colour-picking with the clients. We had eight colour changes and it was quite the struggle to nail the exact texture, but we stuck to the discussion until everyone was happy — something I don’t take lightly. I’m always up for making sure my clients have what they want on the palette before we get going. Isn’t that the whole point of the work? The client?

To start the project, I finished the ceilings off with Stucco Italiano’s Intonachino X-Fine because, with it, I could create the perfect amount of distressing in the texture.

We got the ceilings done before a final colour had been chosen for the walls. Was that a dilemma? Yup, you bet it was. We started on the walls anyhow, and the whole project slowed to a crawl because we could only basecoat the walls while I continued working towards the orangey-gold tones the client was after.

I find one of the tough things for clients is how to visualize the way things will look in the end. I’m an artist, I can visualize, but I understand why they can’t. Thankfully, technology’s starting to really make life simpler that way. I recently picked up an Apple iPad and loved how easy it made the client’s colour decision after I used it to highlight a few scenarios.

With my iPad, I pulled up some photos of both projects and concepts I thought would work well in this client’s space. I used it to show how using two colours can add a great deal of interest and movement on the walls. Doing all of this on a jobsite on a Sunday was a great deal of fun for me. I showed the client on the iPad, then jumped right into mixing a sample and showing the client how it all comes together in reality, right then and there.

With the iPad showing a wider vision and my skills showing the up-close in-person look, the colour and finish got approved, and here I am, already done with the main floor!

Here are some of the pictures of what’s happened so far, and I hope you enjoy them as much as the client does.

It’s a good thing you hire me to do finish and not videos, because this one took me a year to make! What can I tell you? I’ve had spaces to make beautiful, but I finally found some time to share this one with you.

I’m pretty proud of this Tadelakt fireplace I completed last summer, so I’m glad I’ve finally got the video to post for you, including closeups, so you really get a good look at my work.

So, you ask why Tadelakt lime plaster was my first choice for this project?

This is a good lesson in why the material’s such an important consideration. You need to know the end look you want and what combination of products to use to get there. It’s tricky, and it’s why you need artisans who know their stuff but also know the kind of use it’s going to get, so both look-appropriate and wear-appropriate products are used.

All I can tell you is, out of all the styles of Venetian plaster I keep in my arsenal, it’s Tadelakt lime that brings the smooth, silky, and finely-honed “stone” appearance that makes it MY number-one choice for restoring a fireplace.

Personally, I also think it takes the mother-of-pearl finish the best, since it’s all about the smoothness of the finish.

It’s also really tough, so, Tadelakt really rocks in high-traffic, high-use areas like the fireplace.

I hope the film gives you that feeling, too, and gives you a good look at the detail I’m so proud of.

Cheers

Darrell  Morrison

Recently, I finally got the tool I’ve been wanting to add to my company’s arsenal — a 12-colour carousel tinting machine.

You’re likely saying “A what?”

When I Say “Any Colour”, I mean It More Than Ever

For years, I’ve been creating custom colours. Many times, I’ve been unsuccessful because of technicalities, like not having proper colours available to me or a way to distribute them evenly or quickly among all the products I needed to mix to get the job done and done well.

Stuck working with these technicalities, a lot of my colours were found in one part of the colour spectrum — browns or tans, and even beiges now and then.

With the size of new lime-plaster interior projects and the new direction I’d like to take my Venetian plaster work in, I knew the time was right to get this tool that would make the difference in meeting my standards on a large scale.

As an example, I’m currently working on a 10,000 square-foot Intonachino lime-plaster interior. With so much surface to cover, the client is having a hard time choosing the perfect colour. We’re close, so they now only want slight shifts in shade and/or hue. (How are “shade” and “hue” different? Learn more by following this link.)

Picky? Not at all. Like me, they know job satisfaction is all about the details.

I’ve now taken great care to create 20 different colours for this project. That’s a bit of an extreme for any project, maybe, but you have to live with the colour long after I’m gone, and we need to get it right. I won’t get upset or rush you for a colour at the beginning of a project, because preparation and work can begin while we take the time to do the right things to help you come to a decision you literally can live with.

This tint machine makes my life easier and helps me live up to my dedication to getting you a a truly livable colour for your environment. Now, at any point in time, I can change a colour’s direction. You want a 25% lighter shade? Okay, not a problem. We don’t need a paint-shop pro or a chemist to guess it out. Let’s get that done ourselves — between you and me, and save ourselves a lot of headache and reduce wasted materials in the process.

Breaking It Down:

◦                                  Whatever your favourite material — Tadelakt, Intonachino, Carrara or Classic — I have full control over the colour and tint of the end-product.

◦                                  Your money gets saved because I’m not wasting materials or gambling on a factory’s ability to get those pallets of lime plaster tinted just the right way.

You want it lighter? Darker? I can change that on a dime now, so you get what you want when you want it. Hue by hue, shade by shade, we’ll nail the colour of your dreams.

On June 1st, I begin a great project — a 10,000 square-foot (Venetian) lime plaster interior. This project calls for a smoother finish with minimal texture, a “Tuscan” influence.

To get that look, I’ll be using Stucco Italiano Intonachino.

For an accent in the basement level, I’ll be creating a woodgrain finish (also known as faux bois) for all the crown moulding.

This home has a view to die for and architecture I’m excited to be taking to another level with my finishing techniques. I’m scheduled to reach final completion in early August.

With a Tuscan/Mediterranean feel throughout this home, getting the perfect colour so a client can be comfortable with their final decision is a tough task, but it’s got to be perfect — just look at the stunning architecture! Anything less than perfect would be a crime.

You might wonder how a “young” guy like me in this industry is landing big projects like these large interior Venetian plaster jobs, but I think my work speaks for itself — and it should, anyone’s should. I love the work I do, I do it the best way I can, I use the best materials that are available to me, try to deliver the best customer service, and have finished work that blows expectations away.

Whether it’s in my work’s detail or in the way I work for my clients, I know it’s the little things that make the difference. My guys and I are tidy and clean, flexible, and we all know how to work well with other trades.


Isn’t that how it should be?

Enjoy the read and the photos.

Cheers

Darrell Morrison


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