Category: home

If you know me, you know I’m a busy guy. It’s work, work, work, these days, and when it’s not about work, it’s about time with my wife, my girl, and the pups.

Needless to say, like most of us, I seldom get to do the projects around the home that I dream of doing.

That all changed in the last month, because not only did I finally get to do a bit of home reno that my family gets to enjoy, but I also got to try something I’ve wanted to do for a really long time — a heavy-duty Italian venetian plaster treatment to a bathroom shower stall.

This work was done in our main-floor bathroom, which had been wanting TLC for a while.

Doing any project for the first time, especially when it’s a bathroom, can make it hard to estimate all the work involved, so getting a chance to explore the process on my own time was great.

It was a major project by the time I finished, as you can tell by the end results, but what did it take to get there?

Here’s how the Home Shower Venetian Plaster Project evolved, start to finish.

This ’70s bathroom came with tons of cedar, which all had to come down. Luckily, it was installed by someone who didn’t make much effort to do it right, so only a couple nails in each board ensured they popped right off. Removing the shoddy work made investing time in improving the room that much more satisfying.

The first thing I wanted to do was move the shower-head up by about two feet. No one wants to crouch for a shower.

Before now, I never had the need, or an opportunity, to work with copper. I decided I’d take a kick at the copper can instead of calling a plumber, and working with the pipes was easier than I expected. I might do the odd fix-it job here and there now, but I’d certainly never do my whole place.

Next, I installed plywood. I’m sure some of you building guys out there are wondering “why not concrete board instead of plywood?”

It’s a preference, really. I find plywood’s just easier to work with, and it comes in big old 4×8-foot sheets, making for less cutting in some situations, but, most importantly, I find plywood’s a big help when it comes to installing lath. (Shown later.)

Next up was installing the water-proof membrane. Obviously a quality project is needed for a shower, and I used a local company’s product, called, “SuperSeal” you can learn more about it here.

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I’ve written before about my love for wood staining. In a world of laminate from Ikea and pre-finished wood from Home Depot, we forget that wood staining isn’t just a dramatic statement, it’s a real artform, but it’s dying out.

We’re doing our part to keep it alive.

I’ve been lucky to work on this home’s extensive staining project over the last few years. The architectural detail and craftsmanship in the woodwork is fantastic, and my job as the wood staining expert is to not only ensure I’ve got colour matching throughout all the areas, but also to make sure the wood grain doesn’t get lost in coverage.Other things I’ve had to watch for has been dripping and even making sure finish on all the surfaces offers a similar shine. When you’re talking this much surface area, that takes a lot of attention to detail.

Staining is always a labour of love but there’s nothing better to do for good quality woods. With mass-produced MDF and laminate everywhere, what little great woodwork we have should be stained, and not painted.

Today’s enviro-friendly stains are durable and good for Mother Earth. I only use Earth-friendly products, and I stand behind them. If I can’t work with a stain at home around my family, I wouldn’t put it in your home.

Quality staining and clear-coating can last for decades if done right. So, we do it right, but with Earth-friendly products.

We’re not just plaster-and-paint guys, we’re the guys you call for great wood treatments that will last for ages, whether it’s staining or clear-coating existing finishes. We’ll do woodwork all over the Lower Mainland, so keep us in mind if you have a project (big or small) you’re thinking of, or if a friend’s 1930 fireplace mantel needs rescuing.

When you’re a guy working in the building trades, it’s not very often you get to travel for work, let alone work in a place like Banff, Alberta. This fantastic retreat in the mountains has been a dream-like project for me, and I’m happy to share with you this video of a walk-through of how the project’s coming.

As the build got further along, more plaster work got added to my slate. I love an owner getting excited about my technique and wanting more as the work progresses, especially in a place like this. By the end, Stucco Italiano’s Italian plaster was used throughout, stretching from the bottom up to the third floor.

 

Please set your viewing to high-def for all the detail!

Take a look at the waxed deep magenta plaster walls in the powder rooms, which includes that awesome entry feature and incorporates those subtle smooth textures across the walls and ceilings, on all floors.

Why would you want to use Italian plaster over both walls and ceilings? You have to consider the characteristics. No paint will match the beauty or durability over the long-term like Italian lime or Venetian plaster, and when you’re creating a mood in a room, why would you neglect the ceiling?

When the colour is fortified right off the bat, as I hand-mix plasters for application, including base coats, it gives a rich layered finish that doesn’t look man-made — it looks like it just belongs that way. It’s natural, rustic, and amazing for creating a mood in big and small spaces.

Lime plaster builds an atmosphere you just can’t get with only paint, and I’m a painter saying that.

When you’re talking about any kind of art or space, lighting means everything, and it’s definitely true with Intonachino plaster approaches I use in my Venetian/Italian lime finishes. As light moves across the room, during dusk through to dawn, and the light shifts from season to season, it changes the way the plastered surface appears, and you’ll always notice something different. It’s almost like your walls are a living part of your space.

This video will provide a perspective on the feel created with these finishes, but if the same video was shot at different times of day, you’d get more a sense of why I say that lightning — natural or electrical — is plaster’s best friend.

It’s been a while since this amazing journey began. Have a look at how far we’ve come, and how this plaster came to life. Click here to see the beginning blog posts.

Another week has come and gone, and I’m a week behind on my blogging — with pretty good reason, too!

My crew has been working really long days and straight through their weekends in order to keep up with production on the house, since the trades are all making huge advances these days, and there are a lot of pictures to prove it.

If this is the first time you’re dropping in to looking at this project, I’d suggest going back to the beginning of this amazing Rocky Mountains Italian lime Venetian plaster project in Banff, right here.

I’ve been loving the level of work from everyone involved in this project. Get a load of this amazing buffalo design in the stone flooring, at the main entrance.

It’s almost like a giant puzzle, isn’t it? I bet there’s a lot of people who’d love to put a puzzle this size together, but I sure wouldn’t. The precision needed to lay this tile is a pretty rare skill, even at this level of the game.

Talk about a mistake getting set in stone… Not for me, thanks. I’ll leave that to the pros.

Here’s another look at the stone buffalo, from the second floor.

A little trivia for you: Did you know that Alberta’s home to one of the two last continually wild North American buffalo herds?

After the Venetian plaster finish on the kitchen ceiling got polished off, other teams got to put the beams up. I’m loving the look and the contrast of the smooth wood against the rustic lightly-pitted plaster, but can’t wait to see it stained.

Another shipment of material showed up this week, which meant more walking up hills and stairs covered in snow, hauling plaster supplies.

Ahh, the boring world of drywall… but progress here means moving on to what we love, the plastering.

Details are critical with a masterful build like this one, where everyone’s brought their A++ game. Here’s Kelvin getting all those reveals smooth and level. It’s looking great, and we know he’ll keep it up.

The beams in the master bathroom are installed now, getting closer to a  finished look.

The outside of this place is getting just as much detail work as in the inside. Here are some shots of the exterior. Now this is some serious craftsmanship going on here.

Here’s one of my favourite areas of the whole build: the back patio, with its massive fireplace.

Can you imagine summer nights, friends, wine, a fire crackling, and those towering evergreens all around?

All work and no play makes Darrell and the boys unhappy. I’m no dummy, we can’t have that! No trip, not even a work one, to Banff, Alberta, is complete without hitting the local slopes. Here’s us, off to Sunshine Village for a little powder action.

Sometimes accidents happen… Would you believe a darn tree just jumped right out at me? 🙂

Thanks for sticking around as my epic work adventure continues.

Stay tuned for more soon!

Cheers,
Darrell Morrison


Guess what I’ve always dreamed of scratching off my bucket-list? Plastering a high-end commercial building.

Soon, I’ll be scratching it off! (Or I can change the bucket list to “super-big high-end commercial building,” maybe. Then, after that, add “downtown”.)

Starting April, 2011, I’ll be starting an amazing adventure with my team as we begin a massive lime plastering project in the Grandview Business Centre in South Surrey, BC.

It’s a great building, an important part of the new “Morgan Crossing” district, which is an area that has just exploded over the last two years.

The mall, The Shops At Morgan Crossing, has great businesses like the Steve Nash Sports Club and a favourite of mine, because we all love a good wine: the “Everything Wine Store”.

Located so close to the mall, the Business Centre’s a great location for professionals looking to be accessible and convenient for clients.

All right, let’s talk project details.

The Builder Double V Construction will be creating the blank canvas for this amazing project.

We’ll be putting lime plaster in all the common spaces (including lobbies, corridors, and washrooms) on the Morgan Crossing Business Centre’s 1st, 3rd, and 4th floors.

We’ve chosen the palette already.

The corridors will be a slightly polished sandy/cream-coloured lime plaster with subtle pitting and black flecks.

Washrooms will be treated with a cement-based plaster that incorporates subtle pitting, almost like a honed travertine, but seamless and free of any joints.

The lobby ceiling will have a shiny finish that resembles the look of polished marble.

I can’t wait to see so much of my work in one place. A lot of what I work on is in private homes, but this will be a project that I can “visit” for years to come — and close to home, too.

Stay tuned while I prepare for this awesome undertaking, because I plan to share the journey with you by blogging the process in words and video while things come to life.

Cheers,

Darrell Morrison

I remember my parents telling me their stories about how hard life was “back in the day,” when they’d have to slog through heavy snow, up snowy hills, all while braving the freezing weather. Now that I’m working in Banff, I can finally tell my daughter the same kinds of stories.

Except that my stories will involve my struggles this week — hauling some 2,650 pounds of Italian lime plaster up a snowy, icy hill, down some stairs to the lower level’s entrance, and all in chilly -14 degrees Celsius weather.

Yep, just another wintery day’s work in Banff, Alberta.

Laying down the base coat

There’s a reason they call short people “vertically challenged,” and my work in Venetian plaster and the constant need to do ceiling treatments means I’m proof of the “challenged” part.

Ladder, please!

I often need a little extra height, and that perfect height still means a world of work but a lot less pain!


Living and working in one of the mildest climates in Canada means I’ve never experienced the difficulties of building in high-altitude severe winter climate like that found here in Banff.

I’m enjoying seeing how different practices are needed for success here, and I’m super-impressed with how the builder deals with nature’s wrath, tenting exterior areas so the work on the home’s landscaping can continue throughout the season.


This is the exciting part, for me! Just last week, the main floor had barely any drywall hung. That was then and this is now! The build team has really pulled together, everyone’s always on the move, and they’re working as a team to get ‘er done. There’s a lot of good nature on the build site, with everyone being very friendly and communicating clearly, all things that are very important to me in a work environment.

It feels wrong to post without sharing another photo of the area. Here’s the town as we head to our lodgings after a day at the job site.

Banff is such a lovely place. I have so much more of it to experience while I’m here, and that’s really exciting. It’s not just a mountain town, it’s a winter wonderland, and it’s feeling like an epic journey’s just getting started. Thanks for following the experience!

Cheers,

Darrell Morrison

This Week’s Banff Trivia:

 

Geologists report that the Rocky Mountains that make up Banff National Park are 45 to 120 million years old. In just the national park alone, one can find more than 1,000 glaciers — but only if they wear really, really rugged hiking boots!

Early last Monday afternoon, I drove past a sign reading “Welcome to Banff, Alberta.”

Over the next three months, I’ll be working on an amazing, extremely customized home that backs onto Banff’s beautiful Bow River.

Along with everything else that blows me away about this house is the fact that I think it has the most stunning millwork I’ve ever encountered anywhere. Entering this amazing home felt like I’d just walked into some mind-blowing 5-star hotel in, well… Banff.

To add to the dramatic millwork and scenic setting, I’ll be using rich, deep earth-tone colours that complement the amazing nature all around us here in these legendary mountains. The plaster will be a 4-coat slightly-pitted Intonachino lime plaster finish.

The Canadian Rockies, where Banff is found, is known for its stone, exposed rockface, forests, and generally rugged terrain. I think this Italian lime plaster will really rock the Rockies, and it’ll be a commanding, dramatic feature in this impressive home as it stretches throughout the place, on all three levels.

I know this mountain town will be an amazing and inspiring place to work during the winter months. Come spring, if the owner converts the place into a “mountain stronghold,” it’ll be a beautiful place to hole up and easily forget about the rest of the world.

 

Banff is the highest town in Canada, sitting at an elevation of more than 4,500 feet (about 1,380 metres), nestled in the heart of the Canadian Rockies. It was declared Canada’s first national park in 1885, and today is a UNESCO World Heritage Site, with a protected area of more than 7,700 square miles.

The Bow River, which this home backs onto, originates from the Bow Glacier and Bow Lake. It flows for 587 kilometres, joins with the Oldman River to become the larger South Saskatchewan River, and eventually spills into Canada’s famous Hudson’s Bay, halfway across the country.

Now you’ll see I don’t exaggerate. I said this Tadelakt fireplace was massive? It was HUGE!

Stretching 16 feet across and with a towering peak of 11 feet, you can see why such a dominant feature made nailing the perfect colour the most important step in planning. But, hey, it’s always about “the perfect colour”.

Remember, I’ll always be happy to mix tints as often as it’s needed to make sure it’s a colour you’ll love living with well into the future.

Back to the massive fireplace: When you take a built-in entertainment centre/room feature and want to turn it into something bold and grand, while still adding value to your home, natural lime-based Venetian plaster is definitely the way to go. Remember that, it’s not just a cosmetic change — it’s adding value with beauty.

But, here, take a look for yourself.

“After”:

“Before”:

Here’s the soon-to-be Tadelakt fireplace. Mean, green… and wow! Could be a show-stopper if it’s finished right… but that’s why they hired me, because my company only does it “right”.

Our first step was building up the mantle for added size and drama, by using a 16-foot piece of 2×6 and some crown moulding. Et voila! There’s some beautiful architectural detail.

After finished beefing-up the mantle and the build was done, it was
time to figure out the posts for the bulk of the Tadelakt fireplace
application. This transformation really took it to the next level of
super-cool, don’t you think?

Look closely. Do you see both the bulk and pure “flow” those legs added? We felt it gave exactly the character needed to make this fireplace a feature to envy in an already-upscale neighbourhood.

Next came the real treat — doing the actual Tadelakt lime-plaster application. That’s when I get to feel like we’re putting icing on a cake. This, though, was a tricky cake.

You know me, I love a challenge. Personally, this profile was like nothing I had ever Venetian-plastered before. The detail, curves, and
difficulty reminded me of a lonely country road on a winter’s morning — a great pleasure to be on, but taking it slowly and carefully would
be essential, while knowing that patience would be rewarded with beauty.

Do you see how I used an orange mesh for tying the pieces together? This step is a massive pain, and really not a fun part of the project, but when it comes to a curved profile and the added degree of artistic difficulty that comes with it, that grief is worth the effort just for the extra years of architectural integrity it gives the project. It’s like your mom always told you, “Anything worth doing is worth doing right.” That’s how I operate, too.



Now the project is complete and the space has taken on a whole new look. It’s no longer a built-in piece of drywall, but a long-lasting element for the room, and a focus of the home that can be built upon for years. This fireplace will surely remain a strong selling point for as long as the home stands, because we built it to last.

I’m glad you popped in for a look at my recent work. Thanks for reading!

Cheers,
Darrell.

Since early June, I’ve been working on this large full-interior lime plaster project. By “large,” I mean a whopping 10,000 square feet.

For me, I find it really amazing to see all the progress as I watch the Venetian plaster come together, and I thought I’d share some photos of the process so far, since I think you’ll like it.

This really is a massive project and something like this needs a lot of careful work even before it begins. With 10,000 square feet to dress up, it took a lot of colour-picking with the clients. We had eight colour changes and it was quite the struggle to nail the exact texture, but we stuck to the discussion until everyone was happy — something I don’t take lightly. I’m always up for making sure my clients have what they want on the palette before we get going. Isn’t that the whole point of the work? The client?

To start the project, I finished the ceilings off with Stucco Italiano’s Intonachino X-Fine because, with it, I could create the perfect amount of distressing in the texture.

We got the ceilings done before a final colour had been chosen for the walls. Was that a dilemma? Yup, you bet it was. We started on the walls anyhow, and the whole project slowed to a crawl because we could only basecoat the walls while I continued working towards the orangey-gold tones the client was after.

I find one of the tough things for clients is how to visualize the way things will look in the end. I’m an artist, I can visualize, but I understand why they can’t. Thankfully, technology’s starting to really make life simpler that way. I recently picked up an Apple iPad and loved how easy it made the client’s colour decision after I used it to highlight a few scenarios.

With my iPad, I pulled up some photos of both projects and concepts I thought would work well in this client’s space. I used it to show how using two colours can add a great deal of interest and movement on the walls. Doing all of this on a jobsite on a Sunday was a great deal of fun for me. I showed the client on the iPad, then jumped right into mixing a sample and showing the client how it all comes together in reality, right then and there.

With the iPad showing a wider vision and my skills showing the up-close in-person look, the colour and finish got approved, and here I am, already done with the main floor!

Here are some of the pictures of what’s happened so far, and I hope you enjoy them as much as the client does.

The last few months, I’ve been working on a Tuscan lime plaster interior in a beautiful custom home tucked away in Burnaby.

 

I’ve gotta say, the architecture blows me away. It’s my first plaster project in the area, and the home definitely ranks in the top 5 fave homes I’ve worked on. With curved walls, dominant archways, stunning distressed-wood doors, what didn’t I love?

I was brought in to install a 4,000 square-foot Venetian Plaster effect. I’m nearing the 70% completion mark. Things will move along really quickly in the next few weeks, though.

 

Here’s a breakdown of what’s going on.

 

The materials of choice this time are Stucco Italiano and Intonachino lime plaster.

I choose to seal my Venetian plaster projects with penetrating sealer. This helps to repel moisture and oil. If you’re getting a great finish, shouldn’t it be protected for you to enjoy for decades? Yeah, I think so too.

 

Once the sealer dries, I’ll go over it with golden heavy-bodied glaze tinted to a light raw umber.

 

If I don’t do this overglazing step, the Tuscan plaster style looks too new and fresh — like the photo on the top left shows.

While I believe in sealing all my plaster, it’s really necessary if glazing Tuscan lime plaster. Why? It’s thirsty like you wouldn’t believe. If it’s not sealed before glazing, a catastrophe can happen. The raw umber glaze would stain the surface beyond repair — blotchy and horrible. The wall would need redoing from start to finish, and who wants that? I’ll get it right the first time.

 

This is also where being super-prepared before getting started means everything. If that glaze hits an unsealed wall next to the project, it could be a domino effect of colour catastrophes, so care always needs to be taken.

 

Check out these snapshots of some of last week’s great work. Catch you next time.


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